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Cecilia Palmtag
 Cecilia began directing and producing theater at the age of 17 with Charles Ludlam’s Stage Blood presented at the Actor’s Theater of Santa Cruz, and the Rio Theater. While at Cabrillo College she helmed two play festivals, and a bi weekly open mic series. Her directorial credits include: Harold Pinter’s The Lover, Paul Baird’s White Knuckled Driver at the Eureka Theater, a full length ensemble adaptation of Marlowe and Goethe’s works entitled Faust: a Shadow Pact, Plastic Earth: A Radiohead Musical, and an original clown piece Standard Stoppages: The Seduction of Duchamp. She has stage managed over thirty productions, including works for Gregangelo & Velocity Circus since 2007. Credits also include: Off Broadway West’s Beauty of the Father, Guerilla Rep's HotShot, University Dance Theater concert at SFSU, Seth Eisen's Blackbird, Jorge de Hoyos's Stick, KulArts' POMO 2009, and Dwayne Calizo's Toxic Cocktail among others. With honors, she completed her BA in Theater from San Francisco State University in 2008 with a focus in classical acting, and in the summer of 2010 was invited to study with the Moscow Art Theater School in Cambridge, MA. Roles have included the title characters in Hedda Gabler and Sylvia, Ivana Fyodorovna in The Karamazovs, and Cassandra in Troy: The Gates of Hell. Her recent foray into music composition for the original musical Love Myths was well received as a Resident Artist Workshop at The Garage in 2010. In the summer of 2011 she can be seen in Ragged Wing Ensemble’s Open. and directing at the de Young Museum for Picassolocity: Six periods through a circus eye.
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